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Emerging Artists - K-ARTIST
Emerging Artist Artist Yo-E Ryou: “Water” as a Relational Medium
Connecting the Memories of Body and Environment Artist Yo-E Ryou: “Water” as a Relational Medium Connecting the Memories of Body and Environment 2026.05.18
Emerging Artist Artist Heejung Choi: On Marginalized and Excluded Beings Artist Heejung Choi: On Marginalized and Excluded Beings 2026.05.18
Emerging Artist Artist Solin Yoon: Where Private
Experience and Shared Conditions Intersect Artist Solin Yoon: Where Private Experience and Shared Conditions Intersect 2026.05.18
Emerging Artist Artist Kwon Hahyung Captures Spaces
Imbued with Personal Experience and Memory Artist Kwon Hahyung Captures Spaces Imbued with Personal Experience and Memory 2026.05.11
Emerging Artist Artist Jeong Young Ho: On the Gap
Between Screen-Mediated Images and Lived Reality Artist Jeong Young Ho: On the Gap Between Screen-Mediated Images and Lived Reality 2026.05.11
Emerging Artist Artist LISEOK Explores the Organic Relationship
Between Humans and Nature Through the “Frame” of Digital Technology Artist LISEOK Explores the Organic Relationship Between Humans and Nature Through the “Frame” of Digital Technology 2026.05.11
Emerging Artists

Discover Artists
Dahwan Ghim (b.1987)
Relationships That Become Paths for One Another
Grim Park (b.1987)
Queer Narratives Through Traditional Buddhist Painting
Hur Yeonhwa (b.1988)
Ambiguous Boundaries and Shifting Sensibilities
Hejum Bä (b.1987)
Primitive Perception
Rho Eunjoo (b.1988)
Time and Sensation Between Generation and Dissolution
Heejung Choi (b.1987)
On the Things We Have Lost Today

Archive Shuffle
Exhibitions 《Here and There》, 2025.03.20 – 2025.04.30, Galerie Lelong & Co. (Paris) "I dream a lot" says Hyunsun Jeon. In her paintings, she tries to capture the diffuse feelings that persist when you wake up, when what remains of your dreams are impressions, colours and hybrid shapes – impossible syntheses of real memories. But Jeon's painting, however dreamlike, is above all driven by a concrete quest: what is an image, what is representation ?
2025.03.18
Articles [Critique] Cubical Sense Unfolding on a Flat Surface Heejoon Lee’s works are undoubtedly received as geometric abstract paintings, but after a while, the impression of colors and forms reaches to the specific object, architecture, and urban or natural scenery.
2020
Articles [Critique] Motions for the Language of Touch
2022
Articles [Review] We are drawn to what is repulsive
2023.07
Exhibitions "Wonhae Hwang: Curtain" on View Through November 11, 2023, at Pipe Gallery
2023.11.01
Articles Artist Lim Jeong Soo: On the Ways the Subject “I” Is Defined
2026.04.27

Curator’s Picks

Three Featured Female Painters
Articles Artist Jaeyeon Yoo: “Night Landscapes” Where Reality and Fantasy Coexist
Jaeyeon Yoo (b. 1988) constructs landscapes in which reality and fantasy coexist, emerging from contemplations of the night. She unravels both major and minor events encountered in daily life—along with the personal imagination and reflections that arise from them—by focusing on the time and space of “night.”
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Articles Artist Chansong Kim: Capturing the Fleeting Moment When Boundaries Collapse
Chansong Kim (b. 1988) focuses on fleeting moments when the solidity of existence blurs and becomes fluid. In particular, she has long contemplated the “body,” paying close attention to instances when her once-familiar body suddenly feels unfamiliar and is perceived as a material presence.
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Articles Artist Minyoung Choi’s Surreal World Where Reality and Dreams Coexist
Minyoung Choi (b. 1989) paints scenes that exist between reality and unreality. Filled with imaginative energy, her paintings embody the artist’s personal experiences and the unconscious world that emerges from them. Heterogeneous elements—such as past and present, nature and artificial objects, reality and dreams—are edited into multilayered structures that transcend time and space within her canvases, where they are rendered in her distinctive light and color to form an unfamiliar harmony.
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Emerging Artists Library

Solin Yoon (b.1989)
Where Private Experience and Shared Conditions Intersect
Yo-E Ryou (b.1987)
Reimagining Narratives of Water and Women Through a Hydrofeminist Perspective
Heejung Choi (b.1987)
On the Things We Have Lost Today
Jeong Young Ho (b.1989)
Ways of Perceiving and Sensing the World Within the Contemporary Technological Environment
LISEOK (b.1988)
On the Fading Sense of Reality
Kwon Hahyung (b.1989)
Photography Capturing Spaces Imbued with Personal Experience and Memory
Minkyoo Choi (b.1987)
Where Material and Immaterial, Familiar and Unfamiliar Intersect
Ria Choi (b.1988)
On the Autonomy and Presence of Sculpture
Donghae Kim (b.1987)
Visualizing the Relational Flow of Nature
Jihye Park (b.1987)
Questioning Social Values and Norms
Lim Jeong Soo (b.1988)
On the Ways the Subject “I” Is Defined
JOO SLA (b.1988)
A Fleeting Sensory Moment at the Point Where Boundaries Blur and Collide
Kim Eunseol (b.1988)
Embodied Communication and Empathy through a “Intermediary Language”
Hansol Ryu (b.1989)
Visualizing the Contradictory Sensations of Horror and Humor
Sla Cha (b.1989)
Materializing a Virtual Worldview through Collection and Arrangement
Kyungmin Sophia Son (b.1988)
Imagining the World After the Anthropocene
Sujin Moon (b.1988)
On the Relationship Between Body and Mind
Dahwan Ghim (b.1987)
Relationships That Become Paths for One Another
Jeongkeun Lee (b.1989)
Mediumistic Imagination through the Combination of photography and Frame
Ahra Kim (b.1989)
Intersection of Architecture, Sculpture, and Painting
Taeyeon Kim (b.1987)
Finding New Possibilities in the Blind Spots of Reality’s Frameworks
Ram Han (b.1989)
The Ambiguous Boundaries Between Memory and Fantasy
Miki Kim (b.1987)
On the Intersection of Body, Emotion, and Image
Ok Seungcheol (b.1988)
Explores the Tension Between Original and Copy
Hyunjeong Lim (b.1987)
Imagination, Fantasy, and the Surreal
Joeun Kim Aatchim (b.1989)
Painting that Layers Memory and Emotion
Sejin Kwon (b.1988)
The Expanded Possibilities of Painterly Expression
Dasom Park (b.1989)
An Exploration of the Physicality of Painting
Seoul Kim (b.1988)
A Meta-Exploration into Painting as a Classical Medium
Choi Suin (b.1987)
Emotional Scenes Arising from Relationships
Minyoung Choi (b.1989)
Surreal World
Jaeyeon Yoo (b.1988)
Where Reality and Fantasy Coexist
Chansong Kim (b.1988)
The Fleeting Moment When Boundaries Collapse
Wonjin Kim (b.1988)
An Incomplete Chronicle
Hyunmo Yang (b.1987)
Exploring Balance at the Boundaries of the Image
Hyundoo Jung (b.1987)
Indeterminate Abstractions
Shinyoung Park (b.1987)
Reconstructions of Sensory Experience in Unfamiliar Environments
Dongju Kang (b.1988)
The Flow of Time and Space
Woohyun Shim (b.1987)
The Inner World Reflected in the Forest
Park Junghae (b.1989)
The Language of Abstraction
Rho Eunjoo (b.1988)
Time and Sensation Between Generation and Dissolution
Seong Joon Hong (b.1987)
On the Layers of Painting
Joo Yongseong (b.1989)
Photography as Acts of Mourning and Voice
Cho Ho Young (b.1988)
A New Perspective on the Everyday
Chang Hanna (b.1988)
Interwoven Today’s Realities of the Natural and the Artificial
Hur Yeonhwa (b.1988)
Ambiguous Boundaries and Shifting Sensibilities
Oro Minkyung (b.1988)
The Small Movements of Light and Sound
Eusung Lee (b.1989)
The Sense of Bodily Presence
Joo Hyeongjoon (b.1988)
Reality Reflected in the Unconscious
Yaloo (b.1987)
The Poetic Possibilities of Digital Media
Sunjeong Hwang (b.1989)
Human–Nonhuman's ‘Connections’
Yun Choi (b.1989)
A Mutant World of Cache-Images
Hkason (b.1988)
Mediating and Expanding Art
Sang A Han (b.1987)
Soft Yet Sharp Mind and Existence
Nayoung Kang (b.1989)
“Care Labor” and the Relationships Formed Within It
Boma pak (b.1988)
Presence to Marginalized and Disappearing Entities
Oh Jeisung (b.1987)
The Coexistence of Tradition and Modernity
Hyojoo Jang (b.1988)
On Tactility in the Digital Age
Cha Hyeonwook (b.1987)
Reconstructing Memory Through the Transformation of Korean Traditional Painting
Grim Park (b.1987)
Queer Narratives Through Traditional Buddhist Painting
Nosik Lim (b.1989)
Sensory Traces Collected Through Bodily Experience
Son Hyunseon (b.1987)
A relational approach to painting that reflects on seeing
Ahram Kwon (b.1987)
The Illusions of the Media World Through the Screen
Hyun-seok Kim (b.1988)
The Nonlinear Genealogy of Digital Technology
Eunsol Lee (b.1988)
The Existence of Digital Objects
Young-jun Tak (b.1989)
Queer Identity, Religious Belief, and Site-Specificity
Kim Heecheon (b.1989)
Existence and Life Mediated by Digital Data
Mire Lee (b.1988)
Living Machine Sculptures
Hannah Woo (b.1988)
Hybrid and Horizontal World
Hyeree Ro (b.1987)
On Things That Resist Easy Definition
Park Wunggyu (b.1987)
Painterly Possibilities of Traditional Buddhist Painting
Hwang Wonhae (b.1989)
Reconstructing Landscapes of the City
Seeun Kim (b.1989)
Visual Dynamism of Space
Park Noh-wan (b.1987)
Stained Paintings
Hejum Bä (b.1987)
Primitive Perception
Keem Jiyoung (b.1987)
Relationship Between Individuals and Absurd Social Structure
Leekyung Kang (b.1988)
Invisible Structures of Today’s Society
Hyunsun Jeon (b.1989)
The Subtle and Ambiguous Moments of Everyday Life
Heejoon Lee (b.1988)
Visualizing Layers of Time and Space in Urban Landscapes
Jaeseok Lee (b.1989)
Relationship Between Body and Object
Eunsae Lee (b.1987)
Moments of Unstable Change
Heemin Chung (b.1987)
Perception of Reality in the Digital Age