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Young Artists - K-ARTIST
Young Artist Yezoi Hwang: Viewing Society Through
Personal Emotion, Relationships, and the Body Yezoi Hwang: Viewing Society Through Personal Emotion, Relationships, and the Body 2026.02.09
Young Artist Artist Yuja Kim:
Between the Visible and the Invisible Artist Yuja Kim: Between the Visible and the Invisible 2026.02.09
Young Artist Artist Yeoreum Jeong: Translating Stories of
Place and Memory Through the Moving Image Artist Yeoreum Jeong: Translating Stories of Place and Memory Through the Moving Image 2026.02.02
Young Artist Artist Songhee Noh:
Meta-structuring Archives and Space through Art Artist Songhee Noh: Meta-structuring Archives and Space through Art 2026.02.02
Young Artist Team TRIAD: An Urban Soundscape Woven from Data Team TRIAD: An Urban Soundscape Woven from Data 2026.01.26
Young Artist Artist Hosu Lee: Exploring the Essence of Time and Space Artist Hosu Lee: Exploring the Essence of Time and Space 2026.01.26
Young Artists

Discover Artists
Sungsil Ryu (b.1993)
Satirizing Reality through Black Comedy and Fictional Characters
Kwon Hyun Bhin (b.1991)
Matter’s Hidden Time and Scenes
Cho Hyo Ri (b.1992)
Illusory Virtual Spaces Beyond the Canvas
Sojin Kwak (b.1993)
The Sensory Dimensions Beneath Visible Phenomena and Technology
Jinseung Jang (b.1991)
Data, Humanity, and Structures of Perception
Yiji Jeong (b.1994)
A tender gaze toward intimate beings

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Archive Shuffle
Commemorating the 20th Anniversary of Nam June Paik’s Passing: Rethinking Korea Today, Nam June Paik and the Whitney Biennial Seoul 1993 The year 2026 marks the 20th anniversary of the passing of Nam June Paik (1932–2006). Long before the emergence of the World Wide Web, Paik envisioned a globally networked society. In 1974, he began conceptualizing Electronic Superhighway, anticipating the cultural and social transformations that digital networks would bring. As early as 1964, he introduced Robot K-456, bringing the relationship between humans and machines into the realm of artistic experimentation.
2026.01.27
Exhibitions “Sikyung Sung: For a Long Time, Suddenly” on View Through December 16, 2023, at d/p Artist Sikyung Sung (b. 1991) prioritizes the act of drawing itself rather than depicting specific subjects. Organized in collaboration with Nahyun Maeng, his solo exhibition For a Long Time, Suddenly (오랫동안, 갑자기) showcases the process of drawing, capturing fleeting thoughts that arise during the act and the multidimensional expansion of these thoughts. In particular, this new series encapsulates the intricate execution of both spontaneity and planning, using the traces left by the flowing paint on the canvas and the unpredictable movements on the surface of the artwork.
2023.12.06
Exhibitions 《Stance phase, Swing phase》, 2021.01.23 – 2021.02.06, The Reference
2021.01.22
Articles [Critique] Parodying Desire and Anxiety in the Era of One-Person Media
2020
Activities Kiaf SEOUL 2024 Selects 10 Artists to Spotlight
2024.07.30
Articles Artist Kim Uljiro: New Organisms Cultivated in Virtual Reality
2025.09.22

Curator’s Picks

The Other Side of Technological
Progress and the Human Condition
Articles Artist Eunhee Lee: Exploring the Material Dimensions of Contemporary Technological Environments
Eunhee Lee (b. 1990) observes the relationships among technological environments, individuals, and images, and addresses social issues through an investigation of the mechanisms of contemporary technology.
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Articles Artist Eunju Hong: On the Fragility and Violence Embedded in the History of Technological Progress
Eunju Hong (b. 1993) views the process of technological evolution as a reflection of human desire, focusing on the fragility and violence inherent within it. Based on research into the history of technological development, the artist employs performance, experimental video, and installation to elevate the collisions between technology and emotion, matter and memory into a form of poetic tension, attentively examining the points where personal and social wounds overlap.
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Articles Artist Yehwan Song: Exploring the Hidden Side of Standardized Web Environments and Tech Utopias
Yehwan Song (b. 1995) is a visual artist and web designer whose work critically examines the homogenized and standardized nature of the web environment. Challenging what is commonly accepted as "user-friendly" design—supposedly created for the convenience of users—she questions the very premise of usability.
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Made possible by

Young Artists Library

Yezoi Hwang (b.1993)
Personal Emotion, Relationships, and the Body
Yuja Kim (b.1995)
Between the Visible and the Invisible
Yeoreum Jeong (b.1994)
Stories of Place and Memory
Songhee Noh (b.1992)
Meta-structuring Archives and Space
Seo Minwoo (b.1994)
The Spatial Performance of Sound
Hosu Lee (b.1990)
Exploring the Essence of Time and Space
Team TRIAD (formed in 2018)
An Urban Soundscape Woven from Data
Sangha Khym (b.1999)
Reconstructing Forgotten Memories and Invisible Time
Eunhee Lee (b.1990)
The Material Dimensions of Contemporary Technological Environments
Daseul Song (b.1990)
Digital Abstract Moving Images
Dahoon Nam (b.1995)
Humor and Satire on Contemporary Society
Haneyl Choi (b.1991)
The Intersections of Queer Bodies, Emotions, and Social Structures
Kwon Hyun Bhin (b.1991)
Matter’s Hidden Time and Scenes
WONJEONG DEPARTMENT STORE (b.1999)
Unstable Fantasies
Eunju Hong (b.1993)
Fragility and Violence Embedded in the History of Technological Progress
Daewon Yun (b.1993)
Bodily Possibilities Between the Real and the Virtual
Cha Yeonså (b.1997)
The Lives Connected and Severed Through the Body
Suwha Kim (b.1990)
The Diverse Contexts and Environments Surrounding Bodies
Jinseon Ahn (b.1996)
Anxiety and Vibrations Felt within City and Space
Moonjung Hwang (b.1990)
Inquiry into Relations Within Urban Space
Heejae Lim (b.1993)
Human Desire and the Dilemma of Representation
Greem Kim (b.1993)
The Relationship between Human and Nonhuman
Hyewon Kim (b.1993)
Unveiling New Everyday Landscapes Through Layers
Sangwoo Yoo (b.1994)
Alienated and Fading Senses
Seungjoon Song (b.1993)
Dismantle the Dichotomy Between Humans and Nature
Haena Yoo (b.1990)
Contradictions and Emotions Embedded in Capitalist Society
Dawha Jeon (b.1990)
Deteriorated Digital Images
Jinhee Kim (b.1990)
Light and Mundane Everyday Life
Hwang Kyumin (b.1994)
System as a Metaphor for East Asian Painting
Jeong Juwon (b.1992)
The Traces of Life’s Landscapes
Haevan Lee (b.1990)
Geopolitical Landscapes of Borders and Buffer Zones
Soojung Jung (b.1990)
Imaginary Scenes Full of Life Force
Sungoo Im (b.1990)
Fragile and Delicate Stories
Eunsi Jo (b.1999)
'Irresistible Structures' and the Principle of 'Resemblance'
Sejin Hong (b.1992)
The Space Between Perception and Reality
Jungin Kim (b.1991)
Imagining Through Landscapes of Fragmented Memories
Chang Younghae (b.1994)
The Physical Properties and Positions of the Body
Sojin Kwak (b.1993)
The Sensory Dimensions Beneath Visible Phenomena and Technology
SANGHEE (b.1995)
Co-Created Sensibilities Through Interactive Art
Inhwa Yeom (b.1991)
Reconstructing Minority Experiences
JSUK HAN (b.1990)
The Resonance of Light, Sound, and Space
Jinseung Jang (b.1991)
Data, Humanity, and Structures of Perception
Kim Uljiro (b.1994)
New Organisms Cultivated in Virtual Reality
Ru Kim (b.1995)
Art in Resistance to Structures of Violence
Kwanwoo Park (b.1990)
Art as “Event”: On the Human as “Phenomenon”
Ahyeon Ryu (b.1996)
Unique Characteristics of Individuals Marginalized under Capitalism
Sijae Jang (b.1993)
Informel Sculpture
Jayoung Hong (b.1995)
On the Pleasure of Seeing
Sora Park (b.1992)
The Future Accelerated by Technological Advancement
Yagwang (Kim Terri (b.1993) and Jeon In (b.1995))
On Porous Space-Time Where Diverse Identities Intersect
Hayne Park (b.1990)
On Glass as Still and Living Matter
Chanmin Jeong (b.1991)
On ‘Movements’ Marginalized in an Accelerated Society
Minseok Chi (b.1990)
The Contemporary Convergence of Korean Traditional Art, Philosophy, and Religion
Hanna Jo (b.1991)
The Essence of Being Through the Inner Body
Kang Cheolgyu (b.1990)
Surreal Landscapes Reflecting the Inner Psyche
Yi Young Uk (b.1991)
A World of Uncanny Sensations Through Repetitive Imagery
Chang Kon Lim (b.1994)
Moving and Transforming Paintings
Yiji Jeong (b.1994)
A tender gaze toward intimate beings
Cho Hyo Ri (b.1992)
Illusory Virtual Spaces Beyond the Canvas
Jo Jae (b.1990)
The Intersection of Reality and the Digital World
Yehwan Song (b.1995)
The Hidden Side of Standardized Web Environments and Tech Utopias
Jooyoung Oh (b.1991)
The Limits and Possibilities of Contemporary Science and Technology
Unmake Lab (Formed in 2016 by Binna Choi and Sooyon Song)
Relationships Between Technology, Nature, and Society
TZUSOO (b.1992)
Where Cyber Ecology Meets Reality
Hyojae Kim (b.1993)
Tracing the Fluid Body in the Digital Age of Being
Mooni Perry (b.1990)
'Double-Fallen' Beings That Belong to Neither Side
eobchae (Three artists born in the 1990s)
Accelerated Techno-Environment in the Post-Internet Era
Sungsil Ryu (b.1993)
Satirizing Reality through Black Comedy and Fictional Characters
Kai Oh (b.1992)
On Hidden Vitalities in Urban Spaces
Taewon Ahn (b.1993)
Identity Between the Internet and Reality
Gijeong Goo (b.1990)
The Human-Machine-Nature Relationship Between Reality and Virtuality
Goyoson (b.1995)
Boundaryless Sculptures Formed Within Mutable Relationships
Jungyoon Hyen (b.1990)
Reveals the Entanglement of Contemporary Beings through Relational Sculpture
Hyun Nahm (b.1990)
Constructing Today’s World through the Lens of Miniascape
Eugene Jung (b.1995)
Post-Apocalyptic Landscapes Reflecting Reality
Rhee Donghoon (b.1991)
New Relationships Between Sculpture and Painting
Jiwon Choi (b.1996)
World Between Life and Death
Miryu Yoon (b.1991)
The Abstract Sensibility of Fleeting Moments Through Painting
Moka Lee (b.1996)
The Invisible Sides of Today's Youth
Sikyung Sung (b.1991)
Traces of Spontaneous Brushstrokes
Sun Woo (b.1994)
Convergence of Digital and Painting
Jihyoung Han (b.1994)
New Ways of Survival Through Destruction