Emerging Artists - K-ARTIST
Emerging Artists

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Hyojoo Jang (b.1988)
On Tactility in the Digital Age
Critical Hit (b.1988)
Toward the Visibility of Omitted Lives
Mire Lee (b.1988)
Living Machine Sculptures
Yun Choi (b.1989)
A Mutant World of Cache-Images
Ahn Kwanghwee (b.1988)
Art That Questions Through a Language Outside Institutions
Nayoung Kang (b.1989)
“Care Labor” and the Relationships Formed Within It

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Exhibitions 《Hyeree Ro: LA-sung》, 2017.05.05 - 2017.05.12, Yangju City Art Studio 777 Residence As a performance artist, Hyeree Ro explores things that are easily defined and disappear within the urban environment. Her performances are composed of objects, the body, and narration, and the works are completed through the actions that emerge from the relationships among these three elements.
2017.05.03
Exhibitions “Studies,” a Solo Exhibition by Kim Heecheon, Laureate of the 20th Hermès Foundation’s Missulsang, on View Through October 6, 2024, at Atelier Hermès Atelier Hermès presents “Studies”, a solo exhibition by Kim Heecheon, laureate of the 20th Hermès Foundation’s Missulsang, on view until October 6.
2024.08.13

Curator’s Picks

The Visualization of Emotion and
the Possibilities of Pictorial Representation
Articles Artist Ko Woori: Recording Shifting Emotions Within Human Relationships
Ko Woori (b. 1989) has explored the unstable flows of emotion that arise within various relationships, translating them into painting and installation works. Through recording the anxiety and tension experienced in human relationships, the artist investigates the performative nature of “painting,” approaching it as an act akin to performance, while experimentally employing the material properties of diverse media.
Articles Artist Mina Ham: Fragments of Memory, Traces of Emotion
Mina Ham (b. 1987) has long depicted imperfect and ambiguous faces and landscapes drawn from the depths of memory. Through her figures, the artist captures personal experiences, a series of events, and the complex emotions that continue to linger in the present as a result of them.
Articles Artist Choi Suin: Painting Emotional Scenes Arising from Relationships
Choi Suin (b. 1987) reflects on relationships grounded in her own lived experiences, translating the emotions that arise from them into forms that may be perceived as elements of nature. Her paintings become spaces in which dormant and uncomfortable inner feelings are brought out and confronted. Emotions that could not be fully articulated in words are projected onto natural forms, unfolding as scenes that resemble theatrical tableaux.

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Emerging Artists Library

Soyoung Lee (b.1989)
Reimagining Origin and Identity Through Feminist Thought
Eum Kixung (b.1988)
Shaping the Sensations and Traces of Imperfect Being
Serin Oh (b.1987)
Observing and Reconstructing Social Conventions
Yun Taejun (b.1987)
New Sensory Experiences That Connect Physical Reality and the Digital World
AN Chorong (b.1987)
On the Flexibility and Possibilities of Photography
Dongkyung Kwak (b.1988)
Capturing the Distorted Desires of Modernity
Kayoung Choi (b.1989)
On the Relationship Between Reality and the Ideal
Bokyung Kim (b.1989)
Visualizing the Density of Sensation and the Rhythm of Time
Jaehyoung Im (b.1988)
Between Presence and Absence
Lee Mijung (b.1988)
Contemporary Desires and Values Revealed Through the Surface of Everyday Life
Mina Ham (b.1987)
Figures and Landscapes as Embodiments of Memory and Emotion
Heoang Kim (b.1989)
The Coexistence of Plural Beings in the Post-Anthropocene
Ko Woori (b.1989)
Recording Shifting Emotions Within Human Relationships
Woojung Hoh (b.1987)
On the Visual Reverberation and Potential of the Image
Han Sungwoo (b.1987)
On the Hidden Layers Behind the Foreground
Moon Sanghoon (b.1987)
Questioning the Boundaries Between Queerness and Normativity
Hee Vaak (b.1987)
On the Invisible Beliefs and Wishes
Critical Hit (b.1988)
Toward the Visibility of Omitted Lives
Yang Eunkyung (b.1989)
On Stigmatized and Invisibilized Bodies
SEOM: (formed in 2021)
Resensing Relationships Through “Sound-Space”
Kim Yesul (b.1989)
Reinterpreting Communities and Places in Everyday Life
Ahn Kwanghwee (b.1988)
Art That Questions Through a Language Outside Institutions
Hana Yoo (b.1987)
Unstable States Emerging Within the Gaps of Boundaries
Sophie Jeong (b.1987)
Envisioning the Future Through Speculative Narratives
Solin Yoon (b.1989)
Where Private Experience and Shared Conditions Intersect
Yo-E Ryou (b.1987)
Reimagining Narratives of Water and Women Through a Hydrofeminist Perspective
Heejung Choi (b.1987)
On the Things We Have Lost Today
Jeong Young Ho (b.1989)
Ways of Perceiving and Sensing the World Within the Contemporary Technological Environment
LISEOK (b.1988)
On the Fading Sense of Reality
Kwon Hahyung (b.1989)
Photography Capturing Spaces Imbued with Personal Experience and Memory
Minkyoo Choi (b.1987)
Where Material and Immaterial, Familiar and Unfamiliar Intersect
Ria Choi (b.1988)
On the Autonomy and Presence of Sculpture
Donghae Kim (b.1987)
Visualizing the Relational Flow of Nature
Jihye Park (b.1987)
Questioning Social Values and Norms
Lim Jeong Soo (b.1988)
On the Ways the Subject “I” Is Defined
JOO SLA (b.1988)
A Fleeting Sensory Moment at the Point Where Boundaries Blur and Collide
Kim Eunseol (b.1988)
Embodied Communication and Empathy through a “Intermediary Language”
Hansol Ryu (b.1989)
Visualizing the Contradictory Sensations of Horror and Humor
Sla Cha (b.1989)
Materializing a Virtual Worldview through Collection and Arrangement
Kyungmin Sophia Son (b.1988)
Imagining the World After the Anthropocene
Sujin Moon (b.1988)
On the Relationship Between Body and Mind
Dahwan Ghim (b.1987)
Relationships That Become Paths for One Another
Jeongkeun Lee (b.1989)
Mediumistic Imagination through the Combination of photography and Frame
Ahra Kim (b.1989)
Intersection of Architecture, Sculpture, and Painting
Taeyeon Kim (b.1987)
Finding New Possibilities in the Blind Spots of Reality’s Frameworks
Ram Han (b.1989)
The Ambiguous Boundaries Between Memory and Fantasy
Miki Kim (b.1987)
On the Intersection of Body, Emotion, and Image
Ok Seungcheol (b.1988)
Explores the Tension Between Original and Copy
Hyunjeong Lim (b.1987)
Imagination, Fantasy, and the Surreal
Joeun Kim Aatchim (b.1989)
Painting that Layers Memory and Emotion
Sejin Kwon (b.1988)
The Expanded Possibilities of Painterly Expression
Dasom Park (b.1989)
An Exploration of the Physicality of Painting
Seoul Kim (b.1988)
A Meta-Exploration into Painting as a Classical Medium
Choi Suin (b.1987)
Emotional Scenes Arising from Relationships
Minyoung Choi (b.1989)
Surreal World
Jaeyeon Yoo (b.1988)
Where Reality and Fantasy Coexist
Chansong Kim (b.1988)
The Fleeting Moment When Boundaries Collapse
Wonjin Kim (b.1988)
An Incomplete Chronicle
Hyunmo Yang (b.1987)
Exploring Balance at the Boundaries of the Image
Hyundoo Jung (b.1987)
Indeterminate Abstractions
Shinyoung Park (b.1987)
Reconstructions of Sensory Experience in Unfamiliar Environments
Dongju Kang (b.1988)
The Flow of Time and Space
Woohyun Shim (b.1987)
The Inner World Reflected in the Forest
Park Junghae (b.1989)
The Language of Abstraction
Rho Eunjoo (b.1988)
Time and Sensation Between Generation and Dissolution
Seong Joon Hong (b.1987)
On the Layers of Painting
Joo Yongseong (b.1989)
Photography as Acts of Mourning and Voice
Cho Ho Young (b.1988)
A New Perspective on the Everyday
Chang Hanna (b.1988)
Interwoven Today’s Realities of the Natural and the Artificial
Hur Yeonhwa (b.1988)
Ambiguous Boundaries and Shifting Sensibilities
Oro Minkyung (b.1988)
The Small Movements of Light and Sound
Eusung Lee (b.1989)
The Sense of Bodily Presence
Joo Hyeongjoon (b.1988)
Reality Reflected in the Unconscious
Yaloo (b.1987)
The Poetic Possibilities of Digital Media
Sunjeong Hwang (b.1989)
Human–Nonhuman's ‘Connections’
Yun Choi (b.1989)
A Mutant World of Cache-Images
Hkason (b.1988)
Mediating and Expanding Art
Sang A Han (b.1987)
Soft Yet Sharp Mind and Existence
Nayoung Kang (b.1989)
“Care Labor” and the Relationships Formed Within It
Boma pak (b.1988)
Presence to Marginalized and Disappearing Entities
Oh Jeisung (b.1987)
The Coexistence of Tradition and Modernity
Hyojoo Jang (b.1988)
On Tactility in the Digital Age
Cha Hyeonwook (b.1987)
Reconstructing Memory Through the Transformation of Korean Traditional Painting
Grim Park (b.1987)
Queer Narratives Through Traditional Buddhist Painting
Nosik Lim (b.1989)
Sensory Traces Collected Through Bodily Experience
Son Hyunseon (b.1987)
A relational approach to painting that reflects on seeing
Ahram Kwon (b.1987)
The Illusions of the Media World Through the Screen
Hyun-seok Kim (b.1988)
The Nonlinear Genealogy of Digital Technology
Eunsol Lee (b.1988)
The Existence of Digital Objects
Young-jun Tak (b.1989)
Queer Identity, Religious Belief, and Site-Specificity
Kim Heecheon (b.1989)
Existence and Life Mediated by Digital Data
Mire Lee (b.1988)
Living Machine Sculptures
Hannah Woo (b.1988)
Hybrid and Horizontal World
Hyeree Ro (b.1987)
On Things That Resist Easy Definition
Park Wunggyu (b.1987)
Painterly Possibilities of Traditional Buddhist Painting
Hwang Wonhae (b.1989)
Reconstructing Landscapes of the City
Seeun Kim (b.1989)
Visual Dynamism of Space
Park Noh-wan (b.1987)
Stained Paintings
Hejum Bä (b.1987)
Primitive Perception
Keem Jiyoung (b.1987)
Relationship Between Individuals and Absurd Social Structure