Articles
[Critique] YoungEun Kim and Sounding the Fray
YoungEun Kim has, for the past twenty years, shared a multidisciplinary practice that inaugurates intimate contact with Korean histories of sound. Employing “sonic ethnography,” the sounds collected and staged across her expansive portfolio elaborate the complex psychic, sensory, and historical specificities of time and place.
Articles
[Critique] Outside Language, Animal-Becoming toward the Impossible: Seungwon Park, ‘Gut gebrüllt, Löwe!’
On the screen, a figure appears facing a pride of lions. The lions remain enclosed within the boundaries of a zoo, while the figure stands outside the enclosure’s edge, continuously shouting toward them.
Articles
[Critique] Christine Sun Kim’s Idioms of Silence
《All Day All Night》 at the Whitney offers a recalibration of our relationship with sound and language, and fights for those it excludes





















































































